Santiago Evans
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Santiago Evans5th Wonder of this Wall, 2020Ink and acrylic on paper
Framed
20 x 20 cmView more details -
Santiago Evans8th Wonder of this Wall, 2020Ink and acrylic on paper
Framed8 x 6,5 cm
42,5 x 32,5 cm (framed)View more details -
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Santiago EvansA Daring Dance, 2022Acrylic and ink on paper9,5 x 6,5 x 2 cm (drawing)
40 x 30 cm (frame)
(Framed)View more details -
Santiago EvansA Prancing Diablito, 2022Acrylic and ink on paper9,5 x 6,5 x 2 cm (drawing)View more details -
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Santiago EvansBehind the Meadow, 2022Acrylic on paper15 x 21 cm (drawing)
40 x 30 cm (frame)
(Framed)View more details -
Santiago EvansBlue Silhouettes,, 2022Pastel on paper21 x 29 cm (drawing)
40 x 30 cm (frame)
(Framed)View more details -
Santiago EvansCarlota de Belgica , 2022Spray paint and acryl on canvas200 x 200 cmView more details -
Santiago EvansCharcoal Caress, 2022Acrylic on paper30 x 21 cm (drawing)
40 x 30 cm (frame)
(Framed)View more details -
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Santiago EvansKlein Handje, 2022Acrylic on paper25 x 21 cm (drawing)
40 x 30 cm (frame)
(Framed)View more details -
Santiago EvansLast Week Los Zetas, 2022Pastel on paper21 x 30 cm (drawing)
40 x 30 cm (frame)
(Framed)View more details -
Santiago EvansMalvado Maximiliano, 2022Spray paint and acryl on canvas200 x 200 cmView more details -
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Santiago EvansPintor Nalgón, 2022Acrylic on paper25 x 21 cm (drawing)
40 x 30 cm (frame)
(Framed)View more details -
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Santiago EvansSonrisa Coqueta, 2022Acrylic and ink on paper6,5 x 4,5 cm (drawing)
40 x 30 cm (frame)
(Framed)View more details -
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Short Bio and Statement
Santiago °1996 is an artist from Mexico City who grew up in different countries of the Americas and currently works and lives in Antwerp, Belgium. “I take inspiration from the autobiographical as well as historical and fictional references that have brought me a sense of wonder throughout my life. The work stands parallel to the constant change in my personal life and is an attempt to always maintain the childlike wonder and imagination I had while growing up my sketchbooks and drawings are a way to develop the different stories that I am working through in my head. When I paint, I use long brushstrokes to slowly find the image through the different textures and swathes of colour in the initial layers of paint. These elements, as well as the composition, are usually dictated by the material of the support I am using for the painting. The images become a kind of still from a movie showing a glimpse of the landscapes, interiors, and characters in my drawings. My work is influenced by observation, abstraction, and imagination. I create a world of magical realism that my younger and current self would be excited to jump into.”

