Juliane Noll German, b. 1991
-
Juliane NollPlans for attempts of resemblanceOil paint, oil pastel, acrylic, pastel on canvas90 x 75 cmView more details -
Juliane NollThe artist is past, the artist is presentAcrylic, pastel and pencil op canvas110 x 75 cmView more details -
-
-
Juliane NollEats at our table, sleeps in our beds, 2022Acrylic, pencil, pastel and oil on canvas50 x 40 cmView more details -
Juliane NollEin Findling im zerfallnen Weltenbau, 2022Acrylic on canvas, pastel and pencil121 x 98 cmView more details -
Juliane NollKein Sprung von der Säule ohne Sieg, 2022Acrylic paint on canvas60 x 50 cmView more details -
Juliane NollThe Lady of Shallot, 2022Acrylic paint, oil and pastel on canvas60 x 50 cmView more details -
Juliane NollThe Princess is no more death than an airhostess is an Angel, 2022Acrylic paint, oil and pastel on canvas60 x 50 cmView more details -
-
Juliane NollTo her it was a secret, to me it was a vacancy, 2022Acrylic paint on canvas115 x 75cmView more details -
-
Juliane NollVerstohlen geht der Mond auf, 2022Acrylic paint and oil on canvas50 x 40 cmView more details -
Juliane NollWas your skin a different texture? Did your house flood all the time?, 2022Acrylic on canvas, pastel and pencil116 x 76 cm (with frame)View more details -
-
Juliane NollAbans Abans, 2024vinylpaint, pencil, acrylics31,5 x 31,5 cm (unframed)View more details
Educated as an illustrator, Juliane Noll decided to explore new territories in the art of painting during the last years. Noll strives to build up her work like a sculpture. Each brushstroke molds the work as it evolves, while she intuitively proceeds, layer upon layer, the narratives emerge and unfold.
By integrating the dexterities of drawing into her painting practice, Juliane Noll uses obstruction as a base for image-making. Starting without sketches, her works are a quest for possible form, light and perceptions. Her paintings are about careless movement in which the body is brooding. Figures are looking away or into their own daydreams, joining lost efforts of belonging with inner turmoil. There is a focused investigation describing objects of desire, repurposing longing as something safe – like an ornamentalist armour. Strange personas and gloomy backdrops craft a stage for stories of refuge in isolation and the particularity of deformed closeness. Juliane Noll draws inspiration for her rather rough and unpolished paintings from day-to-day experiences and encounters, memories that pop up in her head and the emotional state she finds herself in.
Picture by Paula Guardián

